Photographing People

I've been preparing for the photography workshop in Genova, thinking about all the things I know ... and finding stuff I didn't realise I knew.

When I make notes on portraiture, I include words like Trust and Respect.  Empathy.  Patience.  Engagement. Authenticity.

And it's not about acting or demanding or insisting.

People, when they're being photographed, are often fragile. They feel broken open, exposed, vulnerable.

You're asking them to show a little of their souls, to give you themselves in a relaxed state of being.

People often tell me they photograph badly but no, I think no one 'photographs badly'. I have this theory that it is a failure on the part of the photographer, to relax their client.  To engage.  To earn their trust.

When I work on a portrait shoot, I am almost skinless.  I don't want to be the boss, to be in control, to demand this expression, that pose, this place.

I want to go someplace my client loves.  A space where they can relax and feel comfortable.  I want to talk, and maybe walk a little.  I want to know who they are and how they want to be perceived.   I want to discover and capture their best selves.  The self they know and recognise. 

Sometimes, if it's a family portrait, I have asked the mum for a follow-up shoot alone because when you're a mum and a wife on a family shoot, you can miss out on being you.  Your own private individual you ... before you took on all those roles.

And it works.  I have photographed some beautiful strong confident women when they're off-duty as everything else.

Kids are something else again.  You need to engage, it needs to be fun, you need to be real.  They will know.  Bubbles have saved many a shoot when a child has grown bored or tired. 

Portraiture is all about a lot of things ... and then relaxing and enjoying that time spent together.  It's about gifting someone the beautiful things in them, and everyone has something. 

Love Notes from Sahara

An old ice cream container appeared behind me, outside my office window, yesterday.  It was hanging from a long thin piece of green string.  Little Miss 8 casually asked me if I had noticed that there was 'something' out there.

I looked and found a little love note that had come from the kidlet who lives above me and I replied, then called out to let her know that she had mail too.  She hauled it and and so it continued till bedtime. 

The notes from upstairs always come with small gifts.  A piece of costume jewellery, a perfume-soaked piece of cloth, and there is always another note.

I sent up a beautiful cockle shell from my desk and then later, as a grand finale, a glue stick.  This morning she came down to breakfast bemused ... 'You sent me a glue stick?

I did.  Was there a problem, I thought you could maybe use one up there in your room?

This morning, to lure her back upstairs to clean her room, I announced there was mail, having loaded two pieces of green chewing gum and a horse picture to colour into the 'basket'.

I wonder how things will proceed today but I think I'd best take this seriously ... no more glue sticks, for sure.

I photographed the note using the camera in my new phone.  I am cautiously adjusting to the touchscreen and all the other wonders of mobile phones in the 21st century. 

Sunshine and the promise of 16 celsius by Saturday.

Good morning.

 

Truth, by Justine Musk.

I am enjoying wandering through this woman's website, reading her ideas about writers and creativity and women and all kinds of other interesting things.

She caught me with this one tonight, part 3 of 'why you need to write like a bad girl'.

‘Honesty’ is one of the traits that psychologist and creativity specialist Eric Maisel lists as being key parts of the successful artist’s personality (the others, in case you’re curious: intelligence, introspective stance, empathy, self-centeredness, self-direction, assertiveness, resiliency and nonconformity).

“Standing apart, holding your own counsel, attuned to both the beautiful and the moral, you are the one able and willing to point out the naked emperor, the stench coming from the closet, the starvation right around the corner, the colors of the far mountains as the eye really sees them.

Diana Strinati Baur, True Vines (and writing a book review)

I finally reached university when I was 34 years old.

I hadn't known to dream it when I was young.  My people didn't have a history of university attendance but I was a natural  researcher, a terribly curious child who became an intensely curious woman. 

My first husband suggested the marriage owed me a degree as I had followed the development of his career, moving around New Zealand's South Island over the years.

And so I began.  I dived into literature, wanting the papers necessary to apply for Bill Manhire's creative writing course.  I explored film studies, psychology, and archaeology along the way.  Then I discovered social and political anthropology and detoured off into that seductive discipline.

Degree complete and realising that there wasn't much work in New Zealand (population 4 million), divorced, and having lost my mother along the way, I set out for Istanbul.  To teach English, of course, like so many good kiwi students looking for work and experience.

Ten years later and here I am, a photographer, a writer, a woman of dual-nationality living in Belgium.

All that to introduce today's story.  Last year, one of my favourite people published her first novel. I packed it, back in November, and read it as I traveled the 16,000kms+ home ...

Home for the first time in 8 years.  But the book pulled me in anyway, despite all that was going on in my head.  I recognised situations and characters, I knew that feeling of expat dislocation ... of not being sure of where home was anymore.

And then I arrived in NZ, put the book down, and spent 5 weeks wandering my old worlds, spending time with family and friends while sinking into that landscape I love more than any other.  There were roadtrips and beaches, mountains and forests, there were bush walks, jet boat rides, rivers ... everything you can imagine and more.  And friends, so many really kind friends.

I arrived back in Belgium ... that other home, to a life that demanded quite a lot of me.  4 hours on public transport twice a week, 2 hours on the other week-days.  And more.  And housework.  Life ... just the usual messy demanding life we all lead but I found it incredibly difficult to settle.

And the book review I wanted to write kept being put to one side.  I knew, part of it was that I had no space in my head for writing ... most definitely not even for serious review-style reading.  Time passed, it sat there on my shoulder, poking me occasionally, waiting.

Back at university we knew that to write an essay worthy of an A+, we needed to adopt a written language we called wankspeak.  Delightful I know but it was a way of recognising the elevation of language required to be truly worthy of an A+.

It terrified me.  I love poetic prose and always understood that that wouldn't get me an A+.  I developed a kind of nervous tic when it came to formal writing ... I required time, usually an extension on date due, and much misery.  You could say I developed a certain technique that got me through with maximum suffering.

Back to the present and somehow I had decided this book review needed to be worthy of an A+.  I should have pulled that idea out of my head at some point, discussed it with someone, had them say, Di, it's not about earning an A+.

Today, more than 4 months after opening the book, I decided it was time.  And I wrote.

I was stunned to find that I didn't need to reread the book, making notes and laboriously researching secondary sources.  I was stunned to realise that Diana's book had remained inside of me ... like the story of an old friend that I hadn't forgotten.  And that I understood, somewhere deep inside me, that it wasn't about wankspeak ... it was simply about tellling my truth.

Imagine that!

Anyway, let me introduce you to Diana, or a glimpse of her, via the photograph below.  Taken in Genova in October last year ...