Some Mornings ...

Some mornings, I wake at 5am and there’s no going back to sleep.

And so I read. I caught up on the world, old worlds that I haven’t made time for in a long time.

I quietly made breakfast in this huge house I’ve moved to. I’m now located in one of the most beautiful regions in New Zealand, sharing this space with 3 other remarkable souls. The view out of my bedroom window is of the Remarkables mountain range.

Each day seems to bring some new gift I need to say a quiet ‘thank you’ for. And I love the tiny bed I have here in my little room. My landlord tells me it was his grandma’s, and that every person who has slept in it has commented on how comfortable it is.

Sunday found me revisiting New Zealand’s literary scene, after 2 decades of absence. Witi Ihimaera was speaking at the Queenstown Writers Festival. ‘One of Aotearoa’s greatest storytellers was talking about an extraordinary life and a career in writing that spans half a century.

In the early 1970s Gisborne-born Witi Ihimaera became the first Māori to publish a collection of short stories (Pounamu Pounamu) and a novel (Tangi). He has gone on to become one of the world’s most important indigenous writers with such highly regarded novels as The Matriarch, The Whale Rider and Bulibasha.

His memoirs Māori Boy (2015) and Native Son (2019) will soon be joined by a third. His retelling of Māori creation myths, Navigating the Stars, comes out this year. In fact, he launched there in Queenstown.

Witi Ihimaera is a master story weaver who brings his reader home to a place that transcends space, time and culture – while remaining unambiguously here, now, and Māori.

Quiet tears slipped down my face, and the faces of many others I suspect, as Witi sang for us, and read from his book, and talked of a life-shattering event too. His songs were so powerful, and he returned to it as his story-telling vehicle, repeatedly.

He is an extraordinary story-teller. I am so glad I attended.

I paid a small fee, and joined the local bookclub, and became a member of the cinema too. I was rapt to then receive an invitation to the members-only screening of Made in Italy. It stars one of my favourite actors, Liam Neeson, who stars alongside his son, Micheál Richardson.

Life often seems quite extraordinarily beautiful here. Joy has returned.

It’s as if all that I have loved in the world can be found here. From New Zealand literature, to a vibrant arts and culture scene. Solitude in Nature, but the most remarkable gathering of interesting people in any one place I’ve ever lived. Good coffee, fabulous cafes, and then Fat Badger’s have the best pizza I have eaten outside of Italy. There is a French bakery, with French staff, and an Italian restaurant, with a Genovese chef. He’s a little gruff, in the tradition of the sons of Zena, however perhaps he will soften.

There are, at least, two Bellbirds in the new garden, and rabbits too. I’m living out of Queenstown, in the countryside and yet not too far from the centre.

The cost is about the same as living in Manapouri, that small village of 200 … And it was also loved by me but lacked the breadth and depth I find here. However it’s only 2 hours down the road, through some mountains so I’ll go back when I need some big deep lungfuls of Beech forests on massive mountains, next to deep and moody lakes.

Life moves on. I’ve moved home, again. And my work plans are exciting but involve more than a few hours, as I establish myself. The journey has begun. All is good.

the road.jpg

A Round-Up of Things Read Lately ...

I loved this possible love story out of New Zealand.

I'm absolutely enjoying The Pa Boys movie.  I'll post an interview with the writer/director at the end.

I enjoyed this story: Bringing a Daughter Back from the Brink With Poems.

And this ...  Ballet Dancers in Random Situations.

The stories of refugees are, almost always, heartbreaking but we don't often get to read of them in our everyday news, so I'll share the story of Mazhar.

I photographed Sinan Antoon while I was working in Berlin, and listened to him speak.  I will find his book, The Corpse Washer.

I have been introduced to a new blogger.  He made me smile with this story.

And then there was this: Over 200 works of Marc Chagall have been gathered worldwide for this major retrospective exhibition to discover from 28 February to 28 June 2015.  In Brussels.

I have interesting friends on Facebook and so these mostly come from there, then it's also where I share.   This morning it seemed like an idea to share over here too. 

Perhaps there's something for you ...

Days of Quiet & Recovering

I have never had so many things go wrong on a journey as went wrong in Italy this time.

I came home skinnier, tired, and feeling a little bit defeated ... ready to tear off my wandering wings, buy myself a dog and stay home.  Writing of life.

But good food, warmth, and simply being home has allowed me to put myself back together.  Helped, I'm sure, by my lovely friend Inge who mailed me a much-longed for New Zealand movie.  I watched it on my first night home and loved Himiona Grace's film - The Pa Boys

And so it's Friday.  I picked up a couple of exciting new projects yesterday  ... inspiring me to download the last of my photographs from Liguria.  My new website is back on the table as that thing that must be done.  There was no time for anything creative while in Italy this time ... just a few photographs.  (The book was not completed).

So ... an end to the whining and on with everything else.

A Thousand Times Goodnight, & Ane Brun's Music

A Norwegian-made, English-language film set in Ireland, Kenya and Afghanistan, and starring French luminary Juliette Binoche, would seem to wear its internationalism on its sleeve. Yet globe-trotting, at least to war zones, forms the central conflict in “A Thousand Times Goodnight,” Erik Poppe’s gripping tale of a dedicated photojournalist torn between passionate involvement with her work and commitment to her worried family. Deftly sidestepping both melodrama and family-values messaging, Poppe imbues the film with enormous emotional resonance, brilliantly grounded by his leading lady. The absence of subtitles and the presence of Binoche should open global arthouse doors for this Montreal fest grand prizewinner.

Variety.com, a review extract

I have a collection of books and dvds by war photographers and journalists.  I began reading their stories, perhaps, because if I had known of this work I think I would have been drawn to it. 

Possibly motivated by the same things that appear to motivate those who actually go out there ... the idea that if the truth were known, some things might change, other things couldn't happen. 

But I didn't find out in time and so I read and watch their stories unfold when I can.

I enjoyed the movie, 'A Thousand Times Goodnight, intensely.

You get a small glimpse of the film in the music video below.  There's not too many spoilers, as the movie is used out of sequence but Ane Brun wrote the song for the movie ...  I find it exquisite.

And there's an interview over here, with Juliette Binoche.

I Had Mail ...

Sebastian Junger's documentary about Tim Heatherington arrived in the post today ... Which Way Is The Front Line from Here?  It joins my collection of dvds and books about war photographers and journalists, mountaineers too.  People who fascinate, or who have fascinated, me.

Director Sebastian Junger gracefully weaves together footage of Hetherington at work and moving interviews with his family, friends, and colleagues to capture his compatriot and friend’s unique perspective, compassion, and intense curiosity about the human spirit.   The Sundance Institute.

Also in the package, randomly selected from my Amazon wishlist by Gert as a surprise, was Bright Star.  Jane Campion directed this one and it looks rather marvelous, an antidote to that time spent studying Keats work in dusty old university rooms back in New Zealand.

And the final delight came in the form of Dani Shapiro's book, Still Writing - The Perils and Pleasures of a Creative Life.  This one appeared on my radar via Terri Windling's blog, Myth & Moor.  She wrote a series of posts about this book over days ...

It's another deliciously warm April day here in Antwerp, we're up over 20 celsius and my clothes-line is heavy with laundry drying.  Winter seems to have been so much less painful this time, perhaps to make up for the one before ... the one which traumatised everyone here. 

And now, to work.