Perseverance ...

Of course you must perservere. Your first 10,000 photographs are your worst.

Henri Cartier-Bresson

Some days, working my way into the state of mind I need to work, I am fortunate and begin by reading a post by Terri Windling, a writer, artist, and book editor, and so much more. 

She offers up inspiration more often than not.  I smiled when I read her Cartier-Bresson quote this morning.  Just the first 10,000 photographs ... perserverance is all.

Conformity ...

If you eliminate that private realm, you breed conformity. When all your behavior is public, then you’re going to do the things that the society insists you do and nothing else and you lose so much of who you are as a human being.
Glenn Greenwald, an interview with an interesting man.

I put this quote up on my facebook page today and it sparked some interesting conversation.

Women called by to comment, women I respect, and in the end we decided that the journey is the destination ...

It came up because we're all out there, either self-employed artists or living in countries not our own and the temptation, on the bad days, is to simply put down our passions, our impulses, our work, our funny little dreams perhaps ... to put them all down and turn back into that world where a weekly pay cheque is guaranteed and our souls aren't so tied up in our work.

But I suspect we gave one another courage and voila, I'm back at work here again ... in Belgium on a Saturday night but remembering that beautiful fountain in Italy.

Artists, Julia Cameron

As artists, we live in a separate culture, embedded in the world of mass media but separate from it. For us, the paycheck is not what says 'Job well done. ' The power to buy is not what constitutes our power. Our worth is not quantified in fiscal terms.

As artists, we are engaged in the process of self actualization, and it is our success or failure at producing a body of work that determines our stature. ...living side by side with a culture that tells us our worth is our net worth, we must hold to a different standard, knowing in our bones that as we embrace life, life embraces us.

Julia Cameron.


Rebecca Solnit, The Art of Not Knowing Where You Are

A labyrinth is an ancient device that compresses a journey into a small space, winds up a path like thread on a spool. It contains beginning, confusion, perseverance, arrival, and return. There at last the metaphysical journey of your life and your actual movements are one and the same. You may wander, may learn that in order to get to your destination you must turn away from it, become lost, spin about, and then only after the way has become overwhelming and absorbing, arrive, having gone the great journey without having gone far on the ground.

In this it is the opposite of a maze, which has not one convoluted way but many ways and often no center, so that wandering has no cease or at least no definitive conclusion. A maze is a conversation; a labyrinth is an incantation or perhaps a prayer. In a labyrinth you’re lost in that you don’t know the twists and turns, but if you follow them you get there; and then you reverse your course.

The end of the journey through the labyrinth is not at the center, as is commonly supposed, but back at the threshold again: the beginning is also the real end. That is the home to which you return from the pilgrimage, the adventure. The unpraised edges and margins matter too, because it’s not ultimately a journey of immersion but emergence

Rebecca Solnit, extracted from The Art of Not Knowing Where You Are

I am loving this woman's writing.  Reading her is something like devouring a beautiful feast.  This one essay alone is truly exquisite.

She goes on and talks of empathy: The root word is path, from the Greek word for passion or suffering, from which we also derive pathos and pathology and sympathy. It’s a coincidence that empathy is built from a homonym for the Old English path, as in a trail. Or a dark labyrinth named Path. Empathy is a journey you travel, if you pay attention, if you care, if you desire to do so. Up close you witness suffering directly, though even then you may need words to know that this person has terrible pains in her joints or that one recently lost his home. Suffering far away reaches you through art, through images, recordings, and narratives; the information travels toward you and you meet it halfway, if you meet it.

Few if any of us will travel like arctic terns in endless light, but in the dark we find ourselves and each other, if we reach out, if we keep going, if we listen, if we go deeper.

How Do You Fall In Love? by Jeanette Winterson

 

You don’t fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear.

It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signaled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home.

And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.)

And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it.

 P.S. You have to be brave.