A True Story, Naomi Shihab Nye

And I looked around that gate of late and weary ones and thought, This is the world I want to live in. The shared world. Not a single person in that gate— once the crying of confusion stopped— seemed apprehensive about any other person. They took the cookies. I wanted to hug all those other women too.

This can still happen anywhere. Not everything is lost.

By Naomi Shihab Nye, a wandering poet.

The rest of the story is here

Poetry helps us imagine one another's lives. It gives us intimate insights into someone else's experience. To be able to have that kind of insight in thirty seconds or three minutes is a very precious kind of transmission. It's not cluttered with a lot of extraneous, explanatory matter or the kind of chatter that comes so easily on the news these days. We're surrounded by talk and language and reporting and stories of a certain kind, the “breaking news” kind, but I think we hunger for another kind of story, the story that helps us just feel connected with one another, be with one another. A slower kind of empathy. I think we hunger for that now more than ever. - See more at: http://spiritualityhealth.com/articles/incomparable-naomi-shihab-nye-kindness#sthash.Lt9kRzgM.dpuf
oetry helps us imagine one another's lives. It gives us intimate insights into someone else's experience. To be able to have that kind of insight in thirty seconds or three minutes is a very precious kind of transmission. It's not cluttered with a lot of extraneous, explanatory matter or the kind of chatter that comes so easily on the news these days. We're surrounded by talk and language and reporting and stories of a certain kind, the “breaking news” kind, but I think we hunger for another kind of story, the story that helps us just feel connected with one another, be with one another. A slower kind of empathy. I think we hunger for that now more than ever. - See more at: http://spiritualityhealth.com/articles/incomparable-naomi-shihab-nye-kindness#sthash.Lt9kRzgM.dpuf
oetry helps us imagine one another's lives. It gives us intimate insights into someone else's experience. To be able to have that kind of insight in thirty seconds or three minutes is a very precious kind of transmission. It's not cluttered with a lot of extraneous, explanatory matter or the kind of chatter that comes so easily on the news these days. We're surrounded by talk and language and reporting and stories of a certain kind, the “breaking news” kind, but I think we hunger for another kind of story, the story that helps us just feel connected with one another, be with one another. A slower kind of empathy. I think we hunger for that now more than ever. - See more at: http://spiritualityhealth.com/articles/incomparable-naomi-shihab-nye-kindness#sthash.Lt9kRzgM.dpuf

Freedom and Passion ... two remarkable females

Life is so short. The world is rich. There are so many adventures possible. Why do we not gather our strength together and live. It all comes to much the same thing. In youth, most of us are, for various reasons, slaves. And then, when we are able to throw off our chains, we prefer to keep them. Freedom is dangerous, is frightening.

Katherine Mansfield, New Zealand modernist writer.

I loved this story of 6-year-old Australian surfer, Quincy Symonds.  Her story is simply inspiring.  I found her via this useful website I follow on Facebook ... A Mighty Girl.

A small surfer makes big waves from ABC Open on Vimeo.

Jared Moossy, Photographer

Jared Moossy is an American photographer who filmed all four episodes of the documentary series Witness. He specializes in conflict photography and is a founding member of the photo-collective Razon. For the Witness series, he travelled to Juarez, Libya, Sudan, and Brazil. Witness shows what life is like for photojournalists working in conflict zones; how they utilize fixers and contacts, search out a story, and make their photographs. The series also touches on the dangers that the photographers, their colleagues, and subjects face, while pursing this work.

An Interview with Jared Moossy, in Nowhere Magazine.

Anyone who knows me knows that war photographers and journalists fascinate me.  I read a lot of their literature simply because I have this idea that they take the reader beyond the gloss and spin that is everyday news, beyond everyday life, to a place where agendas don't really play out in reporting the news and the truth can't be bought and repackaged. 

They go out into the world and attempt to tell the story ... a story with words and/or photographs.  Camille Lepage was one of those people.  She was a 26-year-old French photojournalist who died on Tuesday May 14th, 2014 in Central African Republic.

She said, “You, as a photojournalist, are the messenger, you’re not the one who will implement new laws on Human Rights in Russia or Chechen, you’re not the one who will put rapists in jail, you will not cure Aids and won’t give food to all of those who are malnourished, but you’re the one, and that’s essential, who is going to denounce those things. Your job, or at least that’s how I see my role, is to make it as appealing as possible so people can relate to it and ideally put pressure on those in charge and whose role is to make things change!” 

Camille Lepage, December 1, 2011, via the blog of Christine Dowsett.

Jared Moossy for Nowhere Magazine: Syria from Nowhere Magazine on Vimeo.

Nina Coolsaet, Wine-maker

I have a new interview up in my Interviews section.

Nina Coolsaet is the loveliest Spanish-based Belgian who, together with her Spanish husband, Alfredo, is breathing new life into the old family bodega and creating some head-turning wines.

I had the pleasure of interviewing her a while ago.  I was curious to know more about this couple who were all about creating wine with their family in mind.  I imagined how that might affect the way you would produce a wine. 

And so we chatted awhile ...

The photographs were provided by Rafael Bellver and I have created a slideshow of his images over here.

 

 

Ralph Hotere, New Zealand Artist

He was very gentle but held strong views and was extremely inquisitive and interested in many things.

Jeanne Macaskill, artist, describing Ralph Hotere

I think, sometimes, we can grow lacking appropriate role models.  We assume we fit the world wrong and that we carry the burden to change.  But it's untrue.  I think it is more that the institutions that define and model 'correct' behaviour often have it all wrong.

Rather than exploring the full range of what it is to be human, we are shaped so as to fit the structure already in place.

I wish someone had told that it was possible to be gentle and hold strong views.  That one didn't cancel out all possibility of the other.  Strong views do not a monster make. 

The word most used in describing Ralph is the word generous.  That is how friends and colleagues remembered him and yet, he was a man of strong political views ... a man who believed 'art and politics are not separate things, because life does not allow them to be.'

He was described as a warrior artist.  His greatest works embraced great causes.  He used elegance, power, and beauty.  He was a builder of bridges between people.  These are just a handful of the things I've read about Ralph Hotere.

Source: Mirata Mita's documentary series at the end of this post

New Zealand poet Cilla McQueen, one of Hotere's 3 wives wrote 3 beautiful fragments on the Listener magazine's memorial page to Ralph after his death in 2013.  She wrote of time spent in Avignon as a family, 'We knew these were precious days, of dappled sunlight, warm earth, lavender, grapes, melons, rosé wine. I wrote because a camera was not enough.'

He was a talented artist, a stunningly generous man who gave away more then half of his art - gifts to friends, a silent man who believed that 'there are very few things I can say about my work that are better than saying nothing', a man who understood 'precious days' ... a man I don't want to forget because he shows that it's okay to be everything, to own that character that makes us so uniquely ourselves.