Jared Moossy, Photographer

Jared Moossy is an American photographer who filmed all four episodes of the documentary series Witness. He specializes in conflict photography and is a founding member of the photo-collective Razon. For the Witness series, he travelled to Juarez, Libya, Sudan, and Brazil. Witness shows what life is like for photojournalists working in conflict zones; how they utilize fixers and contacts, search out a story, and make their photographs. The series also touches on the dangers that the photographers, their colleagues, and subjects face, while pursing this work.

An Interview with Jared Moossy, in Nowhere Magazine.

Anyone who knows me knows that war photographers and journalists fascinate me.  I read a lot of their literature simply because I have this idea that they take the reader beyond the gloss and spin that is everyday news, beyond everyday life, to a place where agendas don't really play out in reporting the news and the truth can't be bought and repackaged. 

They go out into the world and attempt to tell the story ... a story with words and/or photographs.  Camille Lepage was one of those people.  She was a 26-year-old French photojournalist who died on Tuesday May 14th, 2014 in Central African Republic.

She said, “You, as a photojournalist, are the messenger, you’re not the one who will implement new laws on Human Rights in Russia or Chechen, you’re not the one who will put rapists in jail, you will not cure Aids and won’t give food to all of those who are malnourished, but you’re the one, and that’s essential, who is going to denounce those things. Your job, or at least that’s how I see my role, is to make it as appealing as possible so people can relate to it and ideally put pressure on those in charge and whose role is to make things change!” 

Camille Lepage, December 1, 2011, via the blog of Christine Dowsett.

Jared Moossy for Nowhere Magazine: Syria from Nowhere Magazine on Vimeo.

Nina Coolsaet, Wine-maker

I have a new interview up in my Interviews section.

Nina Coolsaet is the loveliest Spanish-based Belgian who, together with her Spanish husband, Alfredo, is breathing new life into the old family bodega and creating some head-turning wines.

I had the pleasure of interviewing her a while ago.  I was curious to know more about this couple who were all about creating wine with their family in mind.  I imagined how that might affect the way you would produce a wine. 

And so we chatted awhile ...

The photographs were provided by Rafael Bellver and I have created a slideshow of his images over here.

Ralph Hotere, New Zealand Artist

He was very gentle but held strong views and was extremely inquisitive and interested in many things.

Jeanne Macaskill, artist, describing Ralph Hotere

I think, sometimes, we can grow lacking appropriate role models.  We assume we fit the world wrong and that we carry the burden to change.  But it's untrue.  I think it is more that the institutions that define and model 'correct' behaviour often have it all wrong.

Rather than exploring the full range of what it is to be human, we are shaped so as to fit the structure already in place.

I wish someone had told that it was possible to be gentle and hold strong views.  That one didn't cancel out all possibility of the other.  Strong views do not a monster make. 

The word most used in describing Ralph is the word generous.  That is how friends and colleagues remembered him and yet, he was a man of strong political views ... a man who believed 'art and politics are not separate things, because life does not allow them to be.'

He was described as a warrior artist.  His greatest works embraced great causes.  He used elegance, power, and beauty.  He was a builder of bridges between people.  These are just a handful of the things I've read about Ralph Hotere.

Source: Mirata Mita's documentary series at the end of this post

New Zealand poet Cilla McQueen, one of Hotere's 3 wives wrote 3 beautiful fragments on the Listener magazine's memorial page to Ralph after his death in 2013.  She wrote of time spent in Avignon as a family, 'We knew these were precious days, of dappled sunlight, warm earth, lavender, grapes, melons, rosé wine. I wrote because a camera was not enough.'

He was a talented artist, a stunningly generous man who gave away more then half of his art - gifts to friends, a silent man who believed that 'there are very few things I can say about my work that are better than saying nothing', a man who understood 'precious days' ... a man I don't want to forget because he shows that it's okay to be everything, to own that character that makes us so uniquely ourselves.

Tim Heatherington, War Photographer

Really my works are narratives, I am really interested in stories. I find different visual ways to talk about narratives, political narratives. My work is about conflicts and politics, but it links in very kind of intimacy like soldier sleeping. I am interested in getting very close to my subjects, and I live how they live, or share things with them.

Tim Heatherington, extracted from an interview on Periscope.

I have read war photographer Robert Capa's book and more than a few books about him.  Over the years I have collected and read the stories of war journalists John Simpson, Christina Lamb, Frank Gardener, Kevin Sites, Kate Adie ... and more.  I have the dvd titled War Photographer, about the work of James Nachtwey too.

There is something I have been trying to understand. 

Tonight I watched 'Which Way to the Frontline - The Life and Time of Tim Heatherington'.  It is a documentary created by Sebastian Junger ('The Perfect Storm', 'War') and in it he seems to take the whole 'conversation' about motivations and understanding war to a level I've never really found before.

In tracing Tim's career back through the years, Junger's intention seemed to be about honouring, remembering, and revealing the truly fascinating man who was a war photographer. 

Tim Hetherington was killed while covering the front lines in the besieged city of Misrata, Libya, during the 2011 Libyan civil war.

'Dear Lebanon - A Teenage Perspective of Bombings, Religion and Politics'

Worth watching ... there's advice for the whole world there. 

The interview with the politician and the comedian towards the end.  Interesting.

Drogheria Torrielli, Genova

Anna and Emanuela, from Beautiful Liguria, took me wandering one day …deep into the heart of the medieval section of Genoa. And it felt a little like a magical carpet ride but perhaps that was because we began at Drogheria Torrielli.

It's more than just a spice shop but, for me, the initial impression was that I had stepped into the pages of a book I read long ago … The Mistress of Spices.  A story about a priestess who knew the secret and magical powers of spices. Drogheria Torrielli seemed to promise ancient magic based on scent alone.

However the true story of this Genoese shop goes like this. In 1929 the grandfather of the current owners was working at the port of Genoa when an economic crisis hit and the work ran out. Way back then he decided to open a small supermarket, one of the first of its kind.

Moving forward, through time, into the 1970s and new people began to arrive in Genoa. Immigrants from Morocco and they were searching for spices from home. Over the years other immigrants followed and with them came the demand for spices from all over the world. 

Drogheria Torrielli began selling spices and, in the years since, this shop has become a place were a melting pot of cultures meet. More than that though, they are consciously attempting to maintain a balance between tradition while embracing the new.

Standing there, taking photographs, watching customers come and go, it occurred to me that Drogheria Torrielli represents a miniature version of what makes this city something special. The world wanders in through their doors.

Address: Via San Bernardo, 32r.