Orhan Pamuk, Nobel Lecture, 2006

Some extracts: A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.

He can write poems, plays, or novels, as I do. All these differences come after the crucial task of sitting down at the table and patiently turning inwards. To write is to turn this inward gaze into words, to study the world into which that person passes when he retires into himself, and to do so with patience, obstinacy, and joy.

As I sit at my table, for days, months, years, slowly adding new words to the empty page, I feel as if I am creating a new world, as if I am bringing into being that other person inside me, in the same way someone might build a bridge or a dome, stone by stone.

The stones we writers use are words. As we hold them in our hands, sensing the ways in which each of them is connected to the others, looking at them sometimes from afar, sometimes almost caressing them with our fingers and the tips of our pens, weighing them, moving them around, year in and year out, patiently and hopefully, we create new worlds.

The writer's secret is not inspiration – for it is never clear where it comes from – it is his stubbornness, his patience. That lovely Turkish saying – to dig a well with a needle – seems to me to have been said with writers in mind.

...I believe literature to be the most valuable hoard that humanity has gathered in its quest to understand itself. Societies, tribes, and peoples grow more intelligent, richer, and more advanced as they pay attention to the troubled words of their authors, and, as we all know, the burning of books and the denigration of writers are both signals that dark and improvident times are upon us.

But literature is never just a national concern. The writer who shuts himself up in a room and first goes on a journey inside himself will, over the years, discover literature's eternal rule: he must have the artistry to tell his own stories as if they are other people's stories, and to tell other people's stories as if they were his own, for this is what literature is. But we must first travel through other peoples' stories and books.

On the way home ... in Belgium

Nina’s Ornamental blog is the place I wander to when I’m in need of that feeling I found in New Zealand.

I used to live in this funny little cottage with huge windows on the edge of a harbour, and I had a beach for each mood back in Dunedin.  And there was a creek my Labrador and I ran away to when we lived in the mountains beside Fiordland National Park.  Lake Te Anau did just as well. 

There was a tiny road that twisted and turned, taking us to a small bay in Marlborough Sounds while we lived on the Airforce Base in Blenheim, and there once was a place where the mighty Clutha River flowed into a smaller quieter side-stream and that became ‘our place’ while we were living in Cromwell ... although some days we’d throw off our responsibilities and race through the Kawara Gorge to visit the Arrow River in Arrowtown. 

My dog was a wanderer too and travelled all over New Zealand with us.  She died at 16.

I always had a special place and a dog in New Zealand.  Here, in Belgium, I miss the wild peace of home.  Just ‘being’ in Nature is far more difficult, perhaps because Nature is much less powerful by virtue of so many centuries of ‘civilisation’. 

I’m looking for a golden labrador crossbred with some kind of sheepdog because I’ve had labradors since I was 9 and the best was a crossbreed.

Meanwhile I couldn’t resist parking my bike and taking this photograph because the scenery on the way from the new house to the old apartment is nothing to sneeze at ...
Tot straks from Belgium.

Genova, Bach and I

These last few days, I’ve been trying to capture the Genova I fell in love with while staying in Italy last year ...

There was a paragraph where I tried to describe the quietly sublime beauty of a Sunday morning spent alone in that city I love.

I wrote: Sunday, my first day alone and the city is emptied for football.  Slipping and tripping through the air comes the sound of the most exquisite violin ... drifting from some open window.  Delicate notes that create this perfect sound for an afternoon spent lying on a bed, behind closed shutters, reading. I am lazy on this first day spent as a solitary creature, alone in a strange city where I know no one.

I wanted that music but stopped short of shouting from my open window to whichever neighbour was playing the music. 

I came home and forgot it about mostly, just pulling the memory out in moments peace.

Yesterday I was in FNAC, thinking I might like one book to celebrate this month’s pay cheque when I had this idea about making a fool of myself and asking about a delicate solo violin ...

The shop assistant listened and then said ‘Bach!’.

She took me over to a listening post and she was right.  If this isn’t the music I heard then it’s close enough to delight and carry me back into that place in time.

Below you can hear something of the music on the cd titled Bach 6 Solo Sonatas & Partitas, Viktoria Mullova.

Cafe Stanny, Antwerp

I had passed by Cafe Stanny on the train as I travelled to and from Brussels city, and I have slid by it via the Number 8 tram so many times but I had never quite managed to step off and visit its red and welcoming friendliness.

Today, I had no destination in mind, I was simply escaping a really bad day and so there was nothing to lose as I climbed off Tram 8 with my small travelling laptop.

Cafe Stanny’s lunch menu is diverse enough to offer something for everyone, with soups, breads with a range of fillings and things I can’t quite remember. I chose a most divine bacon and onion omlette for lunch and it came with a soft brown heavily-grained bread that was delicious.

The music indicates good taste (an important criteria when wandering, laptop in hand). The atmosphere, now that it is summer, is open door with benches both inside and out. The staff were friendly and the decor lovely - appealing and a tug on the strings of memory for this kiwi so far from home. A deep blue bar/counter with stools, and stools along the high tables at the two large windows in the front.

Back in winter, I remember being attracted to the warmth of Cafe Stanny’s red exterior and the promise of its fogged up windows, clients bicycles piled up outside calling to me in but I was rushing, always rushing through that stretch of the city between here and there, I never made time to detour a little.

Cafe Stanny’s is lovely, a new favourite of mine but come see for yourself.

It’s at Stanleystraat 1, 2018 Antwerpen, located on the Tram 8 line and close to Berchem Railway Station ... seen from the train on the left side as you pull into the station (I think).
You can’t miss the red.

Sir Richard Burton, a quote

After a long and toilsome march, weary of the way, [the wanderer] drops into the nearest place of rest to become the most domestic of men ...

But soon the passive fit has passed away; again a paroxysm of ennui coming on by slow degrees, Viator loses appetite, he walks about his room all night, he yawns at conversations, and a book acts upon him as a narcotic.

The man wants to wander, and he must do so, or he shall die.
Sir Richard Burton, Personal Narrative of a Pilgrimage to El-Medinah and Meccah, 1855