An Afternoon at the Antwerp Zoo

In my photography, there are themes that recur, images that I don't realise I'm chasing ...

Reflections would fall into that category.

Today was a sunny autumn day here in Antwerp.  Miss 9 and I wandered off to the zoo.  School holidays.   And I had to smile as we worked on a miniature photography workshop while exploring the zoo together. 

Her joy, as she worked out shutter speed and focus, was lovely.  She really got it. 

Anyway, she was given a zoo map when she paid for her ticket.  Oh my, there were some conversations where I suggested her map-reading skills were dodgy.  She laughed and, of course, we ended up at that funky slide over in the playground ... 

Not so dodgy it seems, perhaps we were simply on different missions.

Eventually I was able to arrive at the giraffe enclosure.  It's one of my favourite places there in the zoo but what I had forgotten was that there is a water course that runs round the edge of their space.  I don't know what it is about the water but it reflects exquisitely.

The image that follows ... Antwerp's blue sky reflected with the stripes and paint on the giraffe house.  Miss 9 and I could have stayed there all afternoon but for the fact we were cold and getting hungry.

Dank u wel for a lovely day, little Miss 9.

60 Andrássy Avenue, Budapest

60 Andrássy Avenue in Budapest, now knows as The House of Terror Museum, opened on 24th February, 2002 and is unique in its genre.  It is a monument to the memory of those of who were held captive, tortured and killed there.  The intention is to make people understand that the huge sacrifices made for freedom were not in vain. They hope point out that although they fought two of the cruellest systems of the 20th century, freedom and independence managed to emerge victorious.

A stark contrast to the colours and stories I usually post here but I thought it an important story.  I couldn't visit the museum.  It's not something I would explore willingly.  These photographs, hanging on the wall outside ... they haunted me.

The Colours of Genova, Italy

Then there were the colours of Genova. Perhaps each person experiences them differently but my over-riding impression was of a city painted in colours that ranged from pale yellow through into a deep orange. Deep green shutters, sometimes blue.

 

I was invited to write for a website in Genova and above is a small extract.  But I had smile, my passion for that city is huge and my first draft of the article was more like a 'let me count the ways' list.

 

I used some of my photographs in storyboard form, attempting to write of concrete things.  This was one series.  It gives you a sense of the colour there in that beautiful Italian city.

 

Perseverance ...

Of course you must perservere. Your first 10,000 photographs are your worst.

Henri Cartier-Bresson

Some days, working my way into the state of mind I need to work, I am fortunate and begin by reading a post by Terri Windling, a writer, artist, and book editor, and so much more. 

She offers up inspiration more often than not.  I smiled when I read her Cartier-Bresson quote this morning.  Just the first 10,000 photographs ... perserverance is all.

Amy Turn Sharp

Amy Turn Sharp writes poems I adore. 

On a day like today, when that UK storm is passing over us here in Belgium.  When the sun comes and goes.  When I am waiting on all kinds of things, unable to concentrate, I wander on over to 'Amy's Place' and find treasure like this.

I found Anna Sun over there once

Amy's poems are like this ...

Reading her website feels like going on a roadtrip, with good music and truly excellent stories.

Belly laughter and red wine, without hangovers.

I found the quote on the photograph below ... over on Amy's website, of course.

On Writing ...

I had forgotten the glorious agony of writing an article for a particular audience ... such is the luxury of writing whatever I want on my blog.

I have been carrying this idea that I could only write this particular article when I was ready ... when I was sure that all I would write would be perfection itself. 

Weeks later, I was still wringing my hands about it because the deadline had been far into the future.  Then the future arrived and what would I write?  How would I incorporate my best images into this text? 

I had raised the bar fairly high in my mind ...

Last night, as I was going to sleep, I thought of the series of fountain images I had added to my previous post and I knew that I had it.  A beginning point, an inspiration, a concrete image of the feeling I wanted to capture.

And so it was, after our Sunday Belgian breakfast of pastries and coffee, that I sat down to write.  And how I wrote ... and wrote, and wrote some more.  Finally, slightly lost, I handed it over and asked the more level-headed Belgian bloke if he might read it through and see where I was. 

Whimper.

He handed it back and told me ...   It seemed, to him, that I might have attempted to squeeze the outline of my entire book into 5 pages of text.  It was a little incoherent and he couldn't find a clear line through it.  Of course, I had wanted my best stuff in the article ... all of it!

Perhaps a prayer was needed.  Something like, Oh enthuisiam, oh passion ... be still so I can write more coherently.

Anyway, that explained my lost feeling and allowed me to pull back out of the work.

And so I reread and found the story I wanted to tell.   I had to remove some favourite photographs from the article.   I had to disappear some favourite tales too.  Paragraphs were slashed as I read.

I need to leave it a few hours now.  Weeks would be better.  I have always preferred to spend time away from a first draft, sneaking up on it at some later date and hoping to read it as a stranger.  It's more effective than you can imagine.

When I write here on the blog I write fast and, for some reason that must be entirely frustrating to those with blog readers, I edit best after I've published.   It's a luxury that I don't have when I write for others.  Even when I edit for others, the final draft is with them.  The post-publish quirk is one that has probably lost me more than a few subscribers.  I must work on that.

The thing about writing so intensely, and I had forgotten this peculiar pain, is that when I write it all out like that there is this horrible emptiness when I stop.  As if all of my intensity and energy has been poured directly into the writing, like an IV that pumps my blood to a new location ... outside of me.

I came here in an attempt to step back from the intensity of the last few hours.  Actually, I did have rather a lot of fun creating storyboards to focus me down on the writing.  Here's one I can't use ...

My borrowed 'desk' in Genova.  The one by the open window that looks out over the carruggio, and a selection of the flowers that I always buy as that first thing I must do in the city.